Information literacy for art and design students

Today I presented our library’s courses to our deans and rector at the Oslo National Academy of the Arts. As head of the library I have been in charge of developing courses suitable to our students and research fellows’ needs (or at least, we think they are).

At the present, we offer 3 different courses:

  1. A mandatory Introduction Course
  2. Information Literacy 1: Academic Integrity
  3. Information Literacy 2: Different citation styles + Endnote

The curriculum is very much like the one being offered at other higher education libraries: Getting to know the library catalogue, collections, databases, copyright issues, plagiarism, citing other authors properly, and how to use different citation styles (APA, Harvard, Chicago, etc), plus how to use Endnote.

I have noticed that the students who write theoretical papers have improved their skills in these areas significantly after we started offering these courses. But what about those of our students (the majority) who write art texts, make art and design objects, and do not do “research” in the more traditional definition of the word: What do they need? Does the library manage to provide them with adequate courses, tailored to their specific needs?

These are just some reflections I’ve made today, so I decided to do a couple of quick searches to see whether there has been done any serious research on art students’ information literacy needs. (And, of course, there has!) Here are my first findings (to be studied later):

Our powerpoint from the ARLIS/Norden conference is now available online

In June, my colleague, Anette Waller (research librarian) and I presented our institutional archive KHIODA at the annual ARLIS/Norden (Art Libraries Society, Nordic Countries) conference in Oslo. The theme for this year’s conference was “Digitisation in Art Libraries and Art and Cultural Heritage Museums”.

Anette-Arlis

Anette talking about metadata exchange

We are very proud of KHIODA. There are very few institutional archives dedicated to artistic research, so ours is a pioneering work. We talked about establishing a brand new service on a shoestring budget, file formats, copyright, metadata exchange, how to get faculty to share their results in the archive, what to share, what to digitise, the Norwegian joint coding system lacking classification for our subjects, and much more. The powerpoint presentation contains lots of examples with links to the archive for those interested in exploring it!

2016-ARLIS-KHIODA-Ofteland-Waller-1

Our powerpoint presentation of KHIODA, the Oslo National Academy of the Arts institutional archive

Our library was well represented at the conference:

In addition to Anette’s and my presentation, Artistic Research Archive at Oslo National Academy of the Arts: Pioneering Work on a Shoestring Budget, our former colleague, Åse Anna Markussen (former leader of the Oslo Art Academy’s library and one of the founding mothers of ARLIS/Norden) also gave a presentation, ARLIS Norden 30 years. The Pioneer Years and some Glimpses from the Development.

Both Anette and I were elected new members representing Norway to the ARLIS/Norden board, with me as the new chair.

So, now we are just waiting for next year’s conference in Helsinki!

You can find all powerpoint presentations from the conference (available as pdfs) on the ARLIS/Norden website:
http://www.arlisnorden.org/presentations-from-the-conference1.html